Conan

We can’t ignore it: Conan is an obvious God of War clone. From the gory combat to the cineractives to the magic and upgrade system to the topless buxom babes, this is one hell of a scary game and screams God Of war. As heavenly Sword proved, that’s far from a bad thing. After all, limitations are the sincerest form of flattery, they say; besides, God of War III is not play a similar game in the interim?

Conan does a pretty good job if it, too, all while remaining faithful to author Robert E.Howard’s Conan universe. Don’t think of Conan as the Governator (though, funnily enouh, amove called the “Camel Punch” pays homage to a scene in the film Conan the Barbarian). In this game, you are young, brash Conan who slaughters in his way across Hyborea to reclaim pieces of his armor from an evil wizard.

As you eviscerate hordes of enemies and gain new abilities, you start to feel like a bad ass throughout the relatively short (sub six hour) adventure, which is exactly the feeling a Conan game should evoke; but this adventure, much like the barbarian himself, has its share of rough edges, both in terms of graphics and the gameplay, and that hurts the overall experience. The characters in the cut scenes using the in-game engine, for example, don’t look especially next-gen (certainly not when compared to the likes of Heavenly Sword, but it also looks rough in general).

American Werewolf In London

Ask anyone why this John Landis comedy werewolf horror is rated so highly and you will meet with a flurry or reasons, and probably some scorn for daring to query the quality too. The effects are amazing!, they will cry. It’s so funny!, they will shout. It’s the best werewolf movie of all time!, they will claim. So what? We whisper.

The special effects are, of course, extremely good. Given the limitations of both the movie’s budget and the year the film was made, the transformation scene that sits so firmly in the hearts and minds of genre fans still impress. But it doesn’t convince. It’s a stellar technical achievement but that’s different to an effect that doesn’t impede on the suspension of disbelief. Of course, you can’t criticize the creators for such marvelous work, but you can certainly disagree with those who maintain that this is still most convincing werewolf transformation ever.

The humor, too, hasn’t aged brilliantly, but unlike the effects this aspects was never state of the art anyway. The parodic, B movie tone the tale of the transforming tourist strikes was never particularly smart or new. Indeed it genuinely doesn’t offer much more than an episode of The Simpsons TreeHouse of Horror, and this isn’t helped by some rather stupid skits and limited performances.

Drag Me To Hell

Commercially it’s hard to make a case for Hollywood horror being in bad shape. The J-horror remakes and gornography that have dominated screens for the past decade still do the sort of numbers the execs want them to, meaning there is likely to be another ten Saw movies before mainstream audiences get bored. Creatively, however, it’s a different matter. Thankfully, though, with the very enjoyable Drag Me To Hell, Sam Raimi has returned to the genre has made his name with, wrestling the steering wheel away from the blinkered fat cats and performing the cinematic equivalent of a U-turn.

An unashamed throwback to the tongue, in cheek scare fests of the Seventies and Eighties, Drag Me To Hell is very much a deliberate antidote to the grim, straight faced muck of recent years. It has jumps, twists, shocks, and most importantly, it has real personality. The story of a young loan officer who is cursed by a rejected customer shifts along at a wicked pace and although there isn’t an ounce of it that isn’t in some way derivative, it feels entirely refreshing.

There are, however, niggles. Justin long’s character, for instance, is fairly pointless and the performance fruitless. The final twist too, is one of that can be seen from the inside of a buried coffin. And let’s not forget that horror grew out of the Eighties through necessity. Fun through it may be, there are inherent limitations to the template, and more often not it feels like little more than a particularly good episode of the Twilight Zone.

A Nightmare On Elm Street

Another title of freddy’s nightmare has been added to the freddy’s franchise and this time it is Nightmare on Elm Street. The movie has the same basic theme but it has been presented in the different rather stylish way. Freddy is back with some more blood on his claws, the movie starts off with freddy’s first kill, killing a guy with knife in his neck. Basically movie based to grab the attention of new generation.

The movie progress in very pleasing way, you will not be pulling your hairs after watching as most of the horror movies made you do that. Every character is indirectly linked with the other at the same time not knowing that fact and this is something that adds up to the movie’s advantage, unlike the previous ones that had group of friends. The story revolves around group of high school kids who once went to school together but now they are unfamiliar with each other which lead to mu second point. And that is ‘realism’, the movie is pretty much logical. Unlike the usual horror movies in which the actor had eyes full of revenge and dashing cuts on their face, the actors seem to be worn out as the end draws near, something canny.

Haunting In Connecticut

There are lots of horror movies out there and most of them have same basic theme but Haunting in Connecticut is something innovative and out of the box. The story revolves around a boy who is victim of cancer named Matt. It takes a lot of distance to the hospital for his treatment so his mother Sara Campbell decides to rent a house near the hospital, going against the will of her husband. They could barely live up to their financial needs. The main character Matt wants to have basement as his room and there is one creepy wall all covered with wood cabinets and black colored glass. No one knows what lies behind this creepy wall until Matt starts to have nightmares and is haunted by a ghost kid. Besides all these Matt also comes across horrific dead people with weird symbols engraved on their body.
While his visits to the hospital Matt becomes friends with a guy called Reverend Popescu who is also a victim of cancer and is on the verge of his life. He is able to see the ghosts too as he lies at the bridge of life and death. Reverend with the intention to help him accidently makes the situation worse. Movie is little weird much it’s good.

Shutter island

Two US Marshals (Leonardo DiCaprio and Mark Ruffalo) travel to Ashecliffe, a prison hospital on Shutter Island, where they’ve been called to investigate the disappearance of an inmate who once killed all her children. The story seems most mysterious from the arrival of the two marshals to the hospitals lack of information provided to the marshals. Teddy (Dicaprio) has a flaw he sees flashbacks from the past from the days that his wife died in a fire in his house to the days where he was sent to liberate a Nazi death camp. The insanity in the hospital seems viral.

With Teddys visions becoming worse over time. With his wife appearing in his visions to tell him to get off the island and head back home. Dr. Naehring (Max von Sydow) presence makes the detectives all the more suspicious. All the characters are played most eerily and convincingly. Not once are the viewers thrown into disappointing shocks. Ted Levine’s part as the hospitals warden is also worthy of praise. Teddy is not only riveted on finding the missing patient but also the cause of the strangeness on the island. The final scenes are most shocking and give the viewer the necessary chills. A movie for horror and suspense buffs to watch.

Day of the Dead

Two highly acclaimed horror movie directors who have distinctly shown their class in this genre team together to give us a NOT so entertaining sequel of “The Day of the Dead”. The Day of the Dead 2008 shows us that a mysterious disease has affected the people of a small Colorado town with the town’s folk showing signs of nose bleed and flu. Suddenly the affected people all go still with a poker face stare and their skin starts peeling off and they become man eating Mother Nature defying zombies.

They can all jump over tall buildings and can run super fast which adds to the misery of the unaffected people. Overall the movie sucked from the writing, which was more then just poor, to the direction to the plot line which was as thick as lettuce soup. Everything was dead just like the zombies. The acting was bad with a capital B. Most viewers were pissed of by the, as they considered, sacrilege of the original movie. The directors should be somewhat ashamed for making such a movie, which only saw curses being lobbed at them from pissed fans. I wouldn’t recommend you to watch this movie even if you were dead.

The Crazies

Imagine a horrible nightmare in which your once peaceful and quite town suddenly changes into a deadly and dangerous place where you and your friends are the only sane people left and are fighting to find a way out of the total chaos. This, my friends, is the plot line of the remake of the George Romero classic “The Crazies” directed by Breck Eisner. The story goes such that David Dutten (Timothy Olyphant) is Ogden Marsh’s sheriff. Ogden Marsh is a pretty peaceful town with law abiding citizens dwelling in it. But suddenly one night out of the blue one of the towns folk comes to a school baseball game with a loaded shotgun and wreaks havoc there.

And then over the period of the next few days more and more incidents take place. The people of the town become infected by a toxin which drives them to their deaths or utter insanity. The government fearing that the toxin might spread uses brute force and completely quarantines the area and no one can go in or out of the town. Amidst all this chaos the non-infected Sheriff Dutten; his pregnant wife, Judy; Becca, an assistant at the medical center; and Russell, the towns deputy sheriff must group together and somehow make it out of the town.